Jackalope

Jackalope by Valerie Parente

You’re just a mythical thing
a hybrid through taxidermy
jackrabbit ears
antlers that pierce
formulated after death
a concept used to make sense
of the world we don’t know
my dear jackalope.

You’re just a mythical thing
you screwed me up that morning
that’s why I’m a creature of the night
but that pain will not define
the way you broke me down
so broken but whole now
a fusion of my dual states
dark and light in the same place.

You’re just a mythical thing
two real entities mixing
to make one hell of a tall tale
and my mind went off the rails
a little truth behind the love
a little make-believe teenage crush
you got out, never quite mine
I had grace but I was chaos inside.

You’re just a mythical thing
made from the backstabbing
you don’t know me
you know a girl so naive
when I had you in my palm
before we sabotaged it all
but I’m content tonight
I found someone that felt right.

You’re just a mythical thing
my omen, my warning
you don’t play God with nature
you don’t tamper with your maker
that’s when you lose your appetite
become emaciated over night
that was no way to live
nearly got myself killed.

You’re just a mythical thing
a story I was telling
now you’re a thing of the past
and I won’t bring that pain back
a little bit of truth combined
became a tall tale over time
and I’m okay letting go
farewell, dear jackalope.

– Valerie Parente (6-6-2021)

The Seven Swords

The Seven Swords (A Fantasy Chronicle) by Valerie Parente

He was an elven warrior,
wielding a mighty sword,
an Excalibur that glowed,
in dire times of war.

There were six other swords,
each emanating a vibrant hue,
violet, indigo, green, yellow,
orange, scarlet, and his was blue.

This elf belonged to the clouds,
his people charged the stars,
on a stratosphere of temples,
each lighting up the dark.

Sky-born elves were peaceful,
up until a decade ago,
when archangels from underground,
took the stars as their own.

Ever since that catastrophic heist,
the world was never the same,
all creatures lived in the dark,
using torches to illuminate.

That’s when the seven swords
broke their hibernation,
their glow was the key,
to defeating hell’s nation.

The blue sword resided in a raincloud,
violet was stored on the lilac beach,
indigo hid away in the catacombs,
green perched in the forts of trees,
yellow in the sunlight chapel,
orange in the nymph observatory,
and scarlet in the wicked forest,
that guarded hell from enemies.

All seven swords were retrieved,
by different breeds of man,
elves, witches, trolls, and more,
each ready to take a stand.

Every retrieval was its own tale,
but that is for another day,
today we discuss the battle,
that took place at hell’s gates.

The archangels fought hard,
to keep the world in the dark,
but the seven swords fought harder,
to find the light that was lost.

For seven days and seven nights,
the battleground was on fire,
and sword after sword,
illuminated like a lighter.

The archangels were defeated,
by the myriad of colors,
and every time one deceased,
they exploded like no other.

A rainbow of brilliant rays,
shot up like a beam to the sky,
and each archangel carcass,
became a new kind of starlight.

Ever since that fateful day,
the blue sword became a symbol,
absorbing the light in the sky,
that once belonged to the dismal.

We learn from the seven swords,
that sometimes the darkest minds,
just need a little spark,
to surrender to the bright side.

– Valerie Parente (4-16-2021)

Pixie Dust

Pixie Dust by Valerie Parente

Little nymph with rainbow wings,
sprinkling pixie dust,
making the darkness sparkle,
with her magic touch.

Little fairy with sharp intuition,
seeing auras through glass eyes,
your energy is clear to her,
even when you try to hide.

Little creature of the forest,
with empathy like the stars,
she envisions how you feel,
dividing light in equal parts.

Their whimsical spirits exceed the days,
like totems passed down the human race,
so very minuscule in this time and place,
yet endless in the sentiments they convey.

– Valerie Parente (3-8-2021)

Abandoned Castle

Abandoned Castle by Valerie Parente

She thought she had it all figured out
when she was young
dreaming of a big grand castle
glowing under the sun.
She thought she would live in a fairytale
when she grew up
dancing in a glorious castle
a place to fall in love.

The years piled on
the castle’s appeal faded.
Some say she grew up
some say she grew jaded.
Love is not as simple
as the moss that covers stone.
Dreams are not meaningful
until you fail, then you grow.
Now ivy on the walls
climbs up so very tall
and with dreams so big
she began to feel small.
That’s when the abandonment happened
and she realized fantasies can cause harm
often inflated by a toxic desire
so she decided to move on.

Tale be told, she abandoned her castle
but that is no more than folklore;
she didn’t abandon that castle
that castle abandoned her
and that turned out to be
the castle’s greatest favor
for when the fantasizing ceased
she began to enjoy the real world.

– Valerie Parente (3-7-2021)

Spellbound (Analysis)

Spellbound Analysis

A major project I have been working on in 2020 and 2021 is a fantasy series (to be completed). The poem Spellbound is not part of this series, but it is inspired by the same artistic process I’ve been using to write my dark little fairy tale. This process consists of me translating my mental struggles into fantastical terms and motifs. I was thinking to myself about the obsessive nature of falling in love or falling into fascination with a person, place, or thing as someone with OCD. It is an experience more negative and toxic than it is positive and enjoyable. And it’s something I get called “crazy” for a lot, so I wanted to write a poem in my own little self-aware way as a hypothetical rebuttal to anybody that weaponizes my OCD against me. With that in mind I started to refer to the that mind-altering moment when I fall into fixation with something as a “spark”. This spark, something that many people feel with “love at first sight”, is always exciting at its inception. In the mirrored fantasy version of my psyche the spark is, quite literally, “magic”. That spark has proven since I was a teenager to always end badly though, and that’s why Spellbound describes the origin of this spell as a blessing from a witch that has gone awry. “[She] struck my heart, but must have missed […] because I feel it in my brain.” This whole concept of feeling love in the brain instead of the heart is, well, at the heart of my experience with obsessive compulsive disorder. It’s a trick. It’s a gift gone wrong. It’s not the magical feeling that one feels in heart, it’s obsession, and that is the difference between OCD and real authentic love. One is felt in the brain, and one is felt in the heart. The one felt in the brain is a toxic version of the latter. And I’m no fool to how that spell has manipulated the way I handle social situations in the past.

Spellbound carries on to describe three stage of obsession in rhymes. First the excitement, second the longing, and last the devastation. This is pretty self-explanatory of how OCD feels in any brain that feels the initial “spark”. Then the poem finishes off in a closing stanza about the repetitive nature of the OCD cycle. OCD fixations happen in the following order: Obsession, Compulsion, a feeling of Relief, and then starts over with a new Obsession. This model for the mental disorder was directly referenced when writing the last stanza. The reason I even thought to write this poem was mainly due to the sentiment expressed in the last line, “It never works out and I get worse. A brand new spell with the same hurt.” This is where my frustration comes in, because I do truly feel like falling in love for most people is like a spell, but its a magical experience that is innately positive. I don’t feel that way as someone with OCD. This positive experience that seems so great for everyone else always goes wrong for me because of the way my brain malfunctions in an obsessive compulsive manner. I thought about this recently because I started to feel a new spark, and it was fantastic, but I shut it down as quick as possible. I just don’t have the energy or will to be spellbound again. Not now, at least. Someday I’ll figure out how to be spellbound in my heart instead of my brain, but that day is not today. I’ll stick to exploring psychological phenomena with a rhythmic fantasy backdrop for now.

You can read my poem, Spellbound, here.

– Valerie Parente (1-29-2021)

The Crystal Tree

The Crystal Tree by Valerie Parente

There is a plant that sprouts
though not from a seed,
it spawns from a gem.
They call it the crystal tree
and when it’s full grown
sparkling prisms it breeds,
dangling from ebony branches,
a quartz and amethyst variety.

All the boys and the girls
like to go crystal picking,
plucking off shiny rocks,
in return a prophecy is given,
reflecting the constellations
that the stars have written.
Each crystal shows a path
specific to all the children.

One day young Elissa
wandered through destiny’s groves.
Eager for some direction
she plucked a droplet the color of rose
and ever since that day
she thought in poetry and prose
making a living through words
recording her conscience in rows.

Sometimes we find guidance
in the depths of nature
discovering ultimate truths
for man is its mirror.
We can sparkle, we can shine
and nothing is dearer
than the clarity of our instincts
and an intuition that is clearer.

– Valerie Parente (11-25-2020)

The Artist, The Muse: A Poetry & Prose Collection

The Artist, The Muse: A Poetry & Prose Collection by Valerie Parente OUT NOW

Buy THE ARTIST, THE MUSE Via Amazon

The Artist, The Muse is what you get when you interweave psychology, creativity, and spirituality into the poetic fabric of a mentally disordered daydreamer’s mind. Valerie Parente artfully hones the craft of written word in this collection of poetry and prose through fantastical metaphors, rhythmic patterns, heartfelt emotions, metaphysical references, and breath-taking epiphanies. Dark daydreams and silver-lining mantras blossom out of the obsessive compulsive writer’s verbal landscape as the artist becomes her own muse.

Includes poetry, prose, and artwork by Valerie Parente.

Table of Contents:

The Artist, The Muse
Conscience of Nonsense
Glitter In The Air
Shy of Me
The Gargoyle Mindset
An Inadequate Reflection
Ink
You’ve Made An Author Out Of Me
Essence
Grandiosity of the Sick
Daydreams Are Shadows
Sanctuary
Hindsight of the Falsehood
Echoes
Idu Ego
The Silver Screen
Realize These Butterflies
The Writer
Natural
The Instinct of Intuition
The Masterpiece Tragedy of Marionette
Egomaniac
Inquiries
Playing with Dolls
Imagination Is Not Free
Validation
I Wish You Well
Bleeding
Paradox Lock
Dreams of Floating
Give & Take
Her Bright Pink Shoes
Why I Apologize
My Heart Thaws
Mars
Sage of Tarkus
Normal
The Creeper
Young Sapling
Scarecrow
she could not master astral projection
Touch the Heart
Creator
To Be Human
Lady Luna and the Light Inside
Tiara
The Answer
Order In Disorder
Trust the Stars
Novelty
Message From The Universe

The Artist, The Muse by Valerie Parente

Sage of Tarkus

Sage of Tarkus by Valerie Parente

The heartaches of war that plagued the land of Segaduses left many civilians absent of faith. Lost. Looking for a reason to live again.

Determined to receive some sort of direction from a beacon of wisdom, a damsel from Segaduses traveled thirty miles by knight and steed to arrive at a cabin deep in the woods of Tarkus, home of the most acclaimed sage in all of the land. She had been on a journey for the past three years, searching for an answer to all of her sorrow. This girl with the mint green eyes convinced herself that the cure to her faithless haze could be found by falling in love. Her journey, for the past three years, was none other than a quest for a beloved hero whom could fill her life with purpose and interpersonal connection.

The gown worn by the damsel of Segaduses billowed like a blossoming tulip as she seated herself across the sage.

“I’ve been expecting you, dear,” the pale old woman stirred her chalice, making a burgundy whirlpool of the most fragrant truth serum. As the aroma wafted into stuffy cottage the damsel’s nostrils were filled and the knowledge she had denied deep in the core of her brain was activated.

With a confident nod the sage pointed to the knight on the stallion, outside of the cabin, whom had brought the Segaduses maiden so far along her journey.

“He is the one,” the strong-minded sage determined. “The man on the stallion is the man you will wed.”

For a fleeting second the damsel’s brow furrowed, then quickly vanished. Suddenly with a panic the enlightened yet shocked girl hastily shook her head, as if to rattle away the wisdom of the perceptive woman before her. “Oh no, no… he can’t be. I’ve known him for three years… he’s, he’s always been there in the background. If he were the one I would have known.”

“Dear,” the sage’s raspy voice lowered to a tender lull, “Knowledge does not require your conscious consent. Sometimes our subconscious knows at first sight, but our mind does not realize that what we felt was knowledge until years have passed.”

It took the frazzled girl a moment to respond. Her mint green eyes shivered as she struggled to make sense of the sage’s wisdom. How could it be? How could she have wanted something so badly but have never realized it was right before her eyes?

Adamant that the sage of Tarkus must have made a mistake, the damsel allowed her stubborn mind to wonder aloud, “But how can he be my hero if he does not have my most coveted traits?”

“Well what are you looking for in a hero, my dear?” the sage asked.

“A hero who has the same interests as I do.”

“So he is a reflection?”

“A hero who loves me unconditionally.”

“So he is a father?”

“A hero who knows how I feel before I say it.”

“So he is omniscient?”

Having given up, the damsel sunk deeper into her seat.

“Dear, what your heartbreak longs for is not a partner. What you are describing is not an equal. You are describing a God.”

Having given up, the Segaduses girl fell deeper into her subconscious, realizing the knowledge her depressed mind had repressed for so long.

"Damsel" by Valerie Parente

– Valerie Parente (11-23-2017)

The Daydreamer’s Inner Playwright

The tough part of being mindfully present when you are an introverted daydreamer is separating yourself as the existential human you are in reality aside from the inner playwright tinkering away within your brain. Daydreamers always have that anticipatory screenwriter designating mental energy, time, and focus onto future “could be” situations. The screenwriter’s role is to fantasize, modify, and mentally record dynamic imaginary scenarios onto the false memory film reel of the brain. They hone a future-oriented duty to wonder how events might transpire in the best possible way- “best” determined by an idealism based on multi-dimensional enlightenment from both profound and simple life lessons, not the same “best” seen as consecutive achievements of one-dimensional pleasurable experiences. Like any good book, the anticipatory daydreamer cares about writing your lifestory so that it conveys important messages and strikes as interesting.
But here’s where the dilemma arises. You are not an omniscient author of your lifestory. You cannot control or inherently understand the underlying workings of the external world, other people, and forces. You can only control and understand you.
To be grounded with your head in the clouds poses an impossible Schrödinger’s cat kind of dual state. A grounded, mindful person makes the most out of their experiences by coexisting with nature, observing and recognizing the sensations in the present. Meanwhile, a person with their head in the clouds is figuring out how to control and create nature- too busy being a superhuman scribe to be an affected character in the cosmic blueprint. Daydreamers are omniscient playwrights heedlessly attempting to define real people and real settings into character roles and plot lines. They are compelled to think up ways in which events will unfold, how Person A will come to meet Person B, and what the underlying motives for all parties involved might be… these are tasks no human being can do with their reality outside of penning a fictitious narrative on the sidelines.

With This Pen, I Thee Write
There is an anticipation in the daydreamer that can inappropriately bleed into the unfolding plain of the material world. This is not to say that anticipating life’s experiences is unhealthy- anticipation serves a very healthy purpose when used appropriately. You should anticipate your actions, reactions, and emotions, not those belonging to other people. There is a difference between anticipating how you will deal with given situations versus anticipating how the world will deal out situations. It is not your job to think up who you are going to meet at a certain setting or how people are going to feel about your choices. Leave the ‘how’ component to whatever omniscient forces dictate the universe. Focus on your current goal, focus on being the best you can be in this very moment, and do not focus on how every future person, place, or thing could play out in relevance to your goal until that person, place, or thing has stumbled its way into the reality of your present state. Daydreaming can be an exhilarating activity that can turn into worthwhile projects about alternate characters leading alternate lives, but daydreaming is not how you make the most of the life you are currently leading.

-Valerie Parente (10-29-16)