The Artist, The Muse

dark angel

The Artist, The Muse by Valerie Parente

What if the artist is her own muse?
Well then the art is her own truth.

This girl, a mastermind of the English language,
This girl, unmasked, has a mind of ink and pages.
Her metaphors have a way of making the literal very literary.
She believes in foreshadowing, the act of oncoming clouds.
Though it’s make-believing… for shadows, in fact, are uncommon in clouds.
A dreamer, she is.
A dream, where she lives.

She makes stories and tales
Making up stories entails
Being in private
There she writes this…
Man invested in an emotional girl
Manifested in the motion of words
Written on many sheets that hide
Ridden of men, she confides.

When she finally decides to share a work spawned from her mind
Then you find that she designed a rare world flawed on the inside.
Still, each of her works expressed.
Will teach of her worst and best.

Interesting how brave she is
In trusting the reader to read her.
She is the author who yearns as affliction writes her unique imagination.
Shares another, you soon learn as a fiction writer, you need image innovation.

A motif is a treasure.
A treasure is her motif.
Therefore, when the artist is her own muse
She makes use of her own truth.

 


 

Buy The Artist, The Muse : A Poetry & Prose Collection

The Artist, The Muse by Valerie Parente

– Valerie Parente (11-20-2019)

 

The Artist, The Muse: A Poetry & Prose Collection

The Artist, The Muse: A Poetry & Prose Collection by Valerie Parente OUT NOW

Buy THE ARTIST, THE MUSE Via Amazon

The Artist, The Muse is what you get when you interweave psychology, creativity, and spirituality into the poetic fabric of a mentally disordered daydreamer’s mind. Valerie Parente artfully hones the craft of written word in this collection of poetry and prose through fantastical metaphors, rhythmic patterns, heartfelt emotions, metaphysical references, and breath-taking epiphanies. Dark daydreams and silver-lining mantras blossom out of the obsessive compulsive writer’s verbal landscape as the artist becomes her own muse.

Includes poetry, prose, and artwork by Valerie Parente.

Table of Contents:

The Artist, The Muse
Conscience of Nonsense
Glitter In The Air
Shy of Me
The Gargoyle Mindset
An Inadequate Reflection
Ink
You’ve Made An Author Out Of Me
Essence
Grandiosity of the Sick
Daydreams Are Shadows
Sanctuary
Hindsight of the Falsehood
Echoes
Idu Ego
The Silver Screen
Realize These Butterflies
The Writer
Natural
The Instinct of Intuition
The Masterpiece Tragedy of Marionette
Egomaniac
Inquiries
Playing with Dolls
Imagination Is Not Free
Validation
I Wish You Well
Bleeding
Paradox Lock
Dreams of Floating
Give & Take
Her Bright Pink Shoes
Why I Apologize
My Heart Thaws
Mars
Sage of Tarkus
Normal
The Creeper
Young Sapling
Scarecrow
she could not master astral projection
Touch the Heart
Creator
To Be Human
Lady Luna and the Light Inside
Tiara
The Answer
Order In Disorder
Trust the Stars
Novelty
Message From The Universe

The Artist, The Muse by Valerie Parente

Embracing Pain

inkblot make up

It is a fallacy to believe that embracing your pain means wallowing in melancholy as you let it overpower you. Truthfully embracing your pain means facing your melancholy until the melancholy loses its power over you.

– Valerie Parente (10-14-2017)

Feelings Are Not Facts

Feelings are not facts.

I have always had an obsession with “staying true to myself” (a fixation inevitably misguided through that tumultuous identity crisis phase of life called adolescence). To bolster that very egocentric obsession I made it my goal to identify each and every one of my current feelings. Sometimes a simple mental identification was not enough to satiate the irksome “who am I?” question scratching at my conscience, so I would try to preserve my emotional experience through art. As a young girl this meant poetry and diary entries. This meant falling prone to the vice of greed and using written word to further intensify feelings that, through hindsight and therapy, turned out to be not as idiosyncratic as I had liked to believe. This also meant wallowing in certain songs, scribbling lyrics out on lacerated notebook pages in class, impulsively imagining them tattooed one day. This meant drawing and painting and photographing anything and everything that felt like an expression of how I currently felt. Identifying feelings might be healthy in moderate doses, but being somebody with obsessive compulsive disorder I tend to gravitate towards all-or-nothing thinking. Moderation does not come easily. So, to no surprise, I overdid it when it came to treating feelings like end-all-be-all factual information.

Feelings can sometimes be factual, but this is certainly not always the case. In my experience I have found two major contradictions which highlight the underlying truth that feelings are not the same thing as facts.

First, feelings are transient. Feelings come and go just as our circumstances come and go. Any and every emotional state is fleeting, and to treat a mood such as outrage or excitement like a veridical truth that can substitute as an all-encompassing proverb would do a disservice to anybody undergoing either a positive or negative mood.
For example, if I am depressed about a literary rejection, feeling discouraged and dry on hope, I have every right to feel that way- but to mistake that feeling with a fact like “I am unworthy of publication” could lead to an unfair condemnation of “I do not deserve to live my dream as a published author” and end with “I have no rational choice but to give up on my dream.” Another, more relatable example is how, in our self-consciousness, we sometimes “guess” others’ opinions of us. If you have a bad hair day and feel insecure, you might distribute that feeling of insecurity outwards and let it pollute your perception of the world. One moment of eye contact with a peer in the hallway and you assume that they think you are ugly or unattractive. Just because you feel a certain way inside, does not mean you can mindread other people and say, for a fact, what an individual might think of you. This way of thinking could easily lead to many missed opportunities, unfair judgments, and unnecessary travesties.

The second contradiction in equating feelings to facts derives from the very human quality that you are capable of feeling more than one emotion at once, including ones that are polar opposite to each other.
We have more than one situation going for us in our every day lives, some bad, some good. For a long time I would undergo a sort of existential confusion when relaying information about my moods to therapists. For instance, I could not understand why I felt very confident and optimistic about the future while also feeling frustrated and sad about certain problem areas in my life. It took a simple “a-ha” moment of realizing that feelings are not facts to accept that there is nothing fundamentally wrong with me for feeling more than one contradictory emotion at once. It is possible to feel enthusiastic about a promotion and also deeply hurt about a strained relationship. It is possible to love and care about your well-being while still feeling shame over your imperfections. It is possible to be in a very grateful mood for all the laughs and joys of life while experiencing simultaneous bitterness around the shortcomings in your life. Humans are sentient beings capable of feeling more than one emotion at a time. That is a fact.

stitch myself up

To clarify, I am not saying that I no longer acknowledge or draw inspiration from my emotions- what I am saying is that I am no longer going to be a slave to my emotions and the muses that spawn from them. I will always love expressing myself artistically, and I will always tune into my emotions to be the aesthete I thrive in being- but I will be damned if I let a creative drive knock me down a peg in all of my social and spiritual growth. It has taken me a decade of mental health struggles to realize that wallowing in melancholy and solitude (at the expense of my youth and my relationships) is not the right path to go down. I say this as somebody who struggles with extremist tendencies- staying “true to yourself” does not mean focus all your energy into present emotions. Moderate that energy into feelings, thoughts, and instincts. I know we hear it all the time between culture to culture, but life really is better with balance.

So by all means feel, emote, and if you so desire then preserve a feeling in artwork, but give yourself the compassion you deserve and recognize when you are inflicting more harm than good by dwelling on past pains or nostalgia.

Feelings are not facts. That, is a fact.

– Valerie Parente (3-9-17)

The Keeper of Time

The Keeper of Time by Valerie Parente

Chronos jolted out of his sleep to what sounded like a crackling firework.

He knew exactly what he was about to see. Only seconds ago was his brain generating a bizarre dream that would predict the day to come. For the past few months, this had been the case- Chronos having precognitive dreams and experiencing a more potent version of déjà vu as the dreams unraveled in the following day’s reality- but Chronos didn’t dare tell anyone this secret. People would think he was a liar. Or worse, sick– only to be rendered incompetent and unfit to teach. He couldn’t afford that.

Chronos ripped off his sheets and hurried to the bedroom window where he saw a burst of silver sparkle amongst the long grass in his yard.

“I knew it,” he gasped between the windowpanes.

Not a second was spared as Chronos bolted out of his room. He didn’t even care to tiptoe out of courtesy not to wake his dying grandfather, the guardian who had given his life to raise Chronos into the mathematician he was today.

Chronos flung open the doors to his lot and ran onto the lawn, still in his boxers and T-shirt. The Canadian summer night was cold, but adrenaline made it near impossible for him to notice.

Determined to prove what he eerily dreamt about the night before, Chronos stumbled to the la femme creature in the middle of his yard. The humanoid born from the stars, whose lavender flesh was sprinkled with silver stardust, sat ever so patiently with her legs crossed.

You”, Chronos barely choked into the bitter 2:30 AM air, “I knew you were coming…”

As the glittery humanoid nodded the moonlight ignited the sparkle of her violet eyes.

“Something…” Chronos faltered on his words, hearing the insecurity fragment his distinct tone, “something strange has been happening to me… and… I think you know what it is.”

The humanoid’s glistening mouth stretched into a smile while her pupils dilated. “I do…”

“What is it?” the young man begged. He was just starting his long coveted career and nearly collapsed at the thought of losing grasp of his aspirations to these increasingly frequent paranormal occurrences of precognitive dreams.

“Chronos,” the celestial being addressed him knowingly. There was an old-friend-like quality in her demeanor that contradicted all Chronos assumed a stranger from the stars would possess. “Do not lose any more sleep than you already have by worrying. You were perfectly made.”

“Perfect?! Everything I thought I knew about the fundamental quantity of time has been tipped over on its head!” Chronos cried out. He wouldn’t have been so brash with this amicable being if he didn’t have such a heavy load of additional stress from playing caretaker to his grandfather, all the while grieving a man who had not yet crossed the threshold into death but was on an imminent way out.

“I know you’re scared, Chronos. But fear is often the result of misunderstanding. Time is a form of perception mankind has long misunderstood. You see with the eyes… You smell with your nose! You hear with your ears! You taste with your tongue! And you feel with your skin!” the female, equally silver-tongued as she was silver-skinned, gleamed in a raw and impassioned voice. All the while her eyes began to smile and brightened, invigorated by the very information she was verbally bestowing onto Chronos. “All sensory receptors, sensory nerves, sensory cells, work with your brain to manipulate a flux of external stimuli into the perceptions we call reality. Your conscious, your remarkable human conscious, has been immaculately designed to interpret life through sequential experiences which have come to form the illusion we understand yet understate as ‘time’?”

Chronos’s head felt light. Determined to come to terms with his worrisome dreaming tendencies, he hardened with assertion. “What are you saying?”

The humanoid took a deep inhale, trying to reel in her excitement, then exhaled. “To be impressed by an existence through the flow of time is the natural way of human beings. Time is no more than a sixth sense.”

Chrono’s throat tightened. He didn’t know what to say. So, naturally, the girl from the stars carried on in her passionate voice.

“You see Chronos, when you are overcome by an ethereal wave of déjà vu or when a precognitive dream merges with your slumber you are really experiencing a neurophysiologic glitch. An error in the programming of your brain! As I have said, you see with the eyes- but that perception makes an impression in that intricate brain! Recalling the future is as much a sensory impairment as blindness!”

This newfound information was too much for Chronos. It targeted a portion of his mind that he had never been honed before. Sure he was a mathematical genius whose was used to thinking in overdrive, but this talk of time concurrent with his anatomy was testing his mental capacity, not because it was intellectually revolutionary or mind-bending, but because it was personal.

Slowly Chronos pieced together this other-worldly being’s words. “So what you are telling me is… I- I am not gifted…” he concluded as he felt the boiling hot tears pool into his vision. “… I am sick.”

“No Chronos,” In one fluid motion the celestial girl rose from her cross-legged position and stood before him. She cupped Chronos’s quivering mandible in her warm hands. Her violet irises softened as her pupils sharpened onto the vulnerable human being before her. “You are deeply blessed! All that has, is, and will occur in this realm can be tuned into with a particular combination of brainpower that you miraculously possess! All that is existential in mankind and the universe itself is accessible to your brain.” The fresh essence of awe in the humanoid’s voice, as if she was also discovering this incredible phenomena for the first time, eased Chronos into a serene state.

Valerie Parente (12-4-16)

An Inadequate Reflection

An Inadequate Reflection by Valerie Parente

From the very core of her being she illuminated every room she walked in. In her healthiest state, her effervescent energy reflected onto all that she interacted with.
Perplexingly, as she entered a room whose walls were constructed from mirrors, she could not project her inner light onto the conspicuously ideal environment. The only radiation of light transcended from her optical form, emanating onto the boundaries boxing her in. As her being translated to the sleek canvases something equally underwhelming as it was uncanny occurred. The mirrors absorbed her energy. But this energy was not the energy that regularly brightened the moods of those around her. This shallow light was purged off of the metallic surface at the exact same angle from which it entered.
She virtually saw her own image, yet her demeanor seemed like an astral projection inconsistent of her true being. Her thriving frame of mind could not be captured by the hollow frame of mirror without warping the truth along a lateral axis. Her silhouette was inverted and her essential nature was unseen. In this limiting dungeon of a room she looked to the parallel world mounted on the walls and saw not a reflection of herself but a collection of perfectly stable atoms mocking the very imperfections that shaped her existential being. Those atoms fought to mimic a material vision, a vision far less reflective of her inner light than that of her fundamental spirit. And in a strangely empty place where a shining sheet was no more than an inherently dark plane, the optical illusion of a light-bearing presence existed.
At that moment she stopped relying on the mirror for gratification.

– Valerie Parente (10-12-16)

My Heart Thaws

My Heart Thaws by Valerie Parente

“You know that mysterious feeling when you smell a certain scent and that scent elicits specific memories?”

“Yes…”

“I’m feeling overwhelmed by a sort of time warp… a time warp beseeched by what I can best describe as an ethereal scent. I’m not talking an autumn aroma that invokes nostalgic memories or a specific stench that reminds you of traumatic experiences. I’m not talking a succession of frames streaming like fluid through your memory banks or distinguishable snippets flickering like consecutive flashbacks rolling through a film reel. I’m not talking mechanical reminiscing as a product of some psychological disposition or resurfacing scars brought forth from intensive therapy. I’m not even talking about a scent that hones your mind! I’m talking about the most inexplicable, indescribable, kind of scent that hones your heart… this otherworldly kind of scent that leaves your present perceptions disconnectedly attending to the world but shifts your reactions into intensely reliving the past! I’m talking nine years ago! I’m talking feelings of innocent attraction and distinct anger and vivid hopes and crazy dreams that were all alive and kicking nine Goddamn years ago! Feelings right before the mental breakdowns that broke my mentality and froze my heart! Nine fucking years of letting the cruel and cold mental disorders numb out the feelings in my heart that hurt so bad! And I forgot how much it stung nine years ago before my reality became a shadow tagging behind a haze of obsessive compulsive disorder and eating disorders. But today that haze is clearing! Today the sun is warm and I can feel it shining down and thawing my heart! And my recovering heart is warping back to a time when crushing made me high and love was totally blind! When somebody made a choice that hurt and something better could have worked! And all this heart ache violently tugging at my core is making me realize that maybe, just maybe, I blessedly became mentally ill! I numbed out my feelings as a means of survival, because to become mentally ill was to stunt my emotional development! To stunt the instrument of my emotions was to freeze time on my heart! To put my heart on hold! And maybe icing out the world behind a distorted icy lens was my way of preserving my heart right before it had the chance to break in half! But I am feeling, and I am alive, and I am okay, and I am better than ever. I am feeling it all now.”

doll-heart

– Valerie Parente (9-28-16)

(Over)Reactions

In the past few months I have come to an overwhelming amount of personal revelations regarding my ego self and the mechanisms of my personality. Most of these revelations have been very idiosyncratic to my own circumstances, invoking a potpourri of diary entries rather than blog posts. Though, there is one recent awe-inducing epiphany which I believe could be beneficial to share. This epiphany revolves around the simple notion that if I want to understand my feelings and reactions to certain situations then I must ask myself the ironically simple but omnipotent question – why? Why do I feel this way? Why am I reacting this way?

To arrive to the answer of this very straightforward inquisition I had to respond with complete honesty regardless of whether or not the response would stir up anxiety, discomfort, or any other unpleasant emotions.

just-a-little-sensitive

Without going into too much detail I will use a recent example in which I was addressed by an older woman at the supermarket. She had followed me inside the store to tell me that I should not leave my dog in the car when I am running an errand, regardless of how quick I am running in and out the store, regardless if I felt that it was “not that hot outside”, regardless that I left the windows cracked open. Long story short I said a polite “okay, I understand” and returned to my car with (temporary) composure. Although my public reaction was congenial to the woman, this was absolutely not my unfiltered reaction once I relayed what happened to my friends and family both on the phone and in person. To be blunt- I was pissed off. I was livid. I was swearing up a storm and shouting about how infuriating it was that this woman was “telling me what to do”. In retrospect, it was a complete overreaction. But, at the time, I saw my rage as perfectly reasonable, and I was obsessively ranting about the incident to those close to me. (And, of course, every time I explained what happened I, almost mechanically, would infuse a whole lot of defensive content about how my dog was perfectly fine and safe).
Eventually when I told this story to a very important person in my life, a person whom I am consistently honest with no matter how unpleasant my honesty may be, she asked me the simple question… Why? Why is my reaction so intense? Why am I getting so worked up? So angry? So defensive?
Right on the spot, without any internal deliberation, I spit out my unhinged answer, “Because! Because I love my dog and I would never want to hurt my dog and… and…” in what I can only describe as a flash of pure enlightenment I knew exactly why I was so intensely bothered by this interaction, and my furrowed expression rapidly crumbled into tears, “And my cat just died!”
Everything made sense. Everything made sense in a way that, now, looking back, I can’t believe I didn’t see before.
You see, I have been deeply grieving the loss of my cat, a feline family member whose role in my life I can’t adequately describe in this one sentence. So far it has been one full month of heart wrenching crying and laughing while honoring the life of my cat through conversation and shared memories.
As the tears rolled down my face I understood why being addressed about my dog had been so intense for me. I was overly upset because the extremely touchy subject of one of my pets had been presented, so my grieving mind and recovering heart translated this woman’s well-intended words into harsh criticism about how well I take care of my pets.
If there is a primary lesson I can relay from this personal revelation it is this- when you think you are “mad at a person” or having a reaction to another person’s words or actions, you are not feeling an emotion at another person
but a discomfort within yourself that has been stirred. Other people do not make you feel. You make you feel.

– Valerie Parente (9-23-16)

Quest

“You don’t want to get better.”
I was extremely offended.
“You don’t want to get better.”
I was extremely offended again.
“You don’t want to get better.”
…and again. It is difficult to get over an emotion when your glitching mind replays conversations… sentences… phrases… words… sounds… again, and again.
“You don’t want to get better.”
The sting of the comment was starting to subdue into a vapid memory, naturally losing its caustic power with every mental replay.
With a clearer mind I tried to understand why I was so offended by the comment.
“You don’t want to get better.”
That can’t be true. I know I want to get better. I know OCD is not my friend. But to entertain the idea that living with OCD is living carefree would be foolishly wrong. There is no serum to permanently reverse this mental illness in its totality, but even if there was, the idea of simply ousting obsessive compulsive disorder is not a matter of “getting better” to me. But why do I view “getting better” with such a cringe-worthy connotation?
It’s not that I want OCD… it’s that… I would feel lost without OCD.
At those critical ages when a kid becomes an adult, when virtues are established, and when identity is found, the development of my personality coincided with the development of my mental illness in a symbiotic relationship.
Obsessive, compulsive, and disordered have fused themselves with the evolution of my personality, so it makes perfect sense that I would feel lost without the anxiety disorder that has pervaded my growth into adulthood.
I do want to feel better. I do not want OCD to rule my life. But I understand that to embark on a life without this mental disorder (if I were somehow endowed with OCD’s cure) would be to face a whole new challenge in itself, a challenge of feeling totally lost and having to find myself. I would need to be ready to take on that challenge. But you know what? I don’t think I get to consciously choose when I’ll be ready for that challenge. And I know this to be true because I already unintentionally started to face that challenge of self-discovery. Because to realize there is a challenge that needs to be addressed is to already begin to address that challenge. I might be lost, but I will find my way.

"Rose Quest"

“Rose Quest” by Valerie Parente

– Valerie Parente (7-9-16)

Hierarchy of Aversions

Some obsessive compulsive disorder sufferers are deeply disturbed or repelled by certain objects, ideas, words, feelings… anything really. Often times people with OCD tend to perform avoidance rituals, in which they obsessively and compulsively avoid these things that stir up so much fear and anxiety. In my OCD struggle with avoidance rituals I have mentally deemed these repulsive obsessions my aversions.
In trying to sufficiently explain how my aversions rise and fall from different degrees of anxiety-inducing severity I have constructed a model I like to call my Hierarchy of Aversions.

Hierarchy of Aversions
NOTE: The Hierarchy of Aversions is constructed by an obsessive compulsive designer.
This mountain of obsessions was built on an OCD premise with the least worrisome aversions at the pinnacle and the most flagrant aversions at the foundation. While most hierarchical structures are stacked with the more dominant echelons ranking at the top of the pyramid, the Hierarchy of Aversions is layered with the least bothersome aversions at its peak, where they are closer to drifting out of sight and out of mind. Unorthodox, yes, but OCD is not orthodox, nor is it logical. Remember, the Hierarchy of Aversions consists of empirical levels that draw their order from a disorder in the constructor’s mind. The primary fears are set at the bottom of the pyramid because they bolster up every other fear. The obsessions that elicit compulsions on the bottom indirectly influence every fear on top.

NOTE: The Hierarchy of Aversions is constantly under renovation.
The contents at each level of the pyramid frequently climb up and down or come and go. What gives these OCD aversions mobility in the Hierarchy of Aversions is the mood of the constructor. Stress causes the disturbing images, ideas, or rituals to weigh heavier, subscribe to gravity, and drop closer to the bottom of the aversion pileup. When moods are lighter and stress is at bay it is common for aversions that once seemed so prominent and so debilitating to feel “not so bad after all”. They, too, become lighter and rise towards the top of the hierarchy. With a little push these flagrant obsessions can even float away.

NOTE: The Hierarchy of Aversions can be manipulated!
Sometimes aversions go away on their own, without the voluntary aid of OCD recovery. When an aversion seems to effortlessly evaporate it can feel like some random blessing. In trying to understand these “random blessing” cases I’ve come to the conclusion that there’s some subconscious effort on the obsessive compulsive disorder sufferer’s part, an effort that ironically involves using OCD to defeat OCD.
For me, when fears no longer appear fearful one of the two situations has typically happened…

1. I had an amazing experience relating to that aversion.
2. I had a horrible experience relating to that aversion.
These seem like very contradictory experiences. Illogical, right? That doesn’t matter. OCD does not rely on logic!

Allow me to explain with the following examples.
1. I had an amazing experience related to an aversion.
I used to have an intense anxiety-driven disdain of the number “7”. I would actively avoid touching, looking at, or talking about anything that had “7” written on it or generally pertained to this digit. But eventually one day, on the 7th, I had an amazing experience. I do not remember what the experience was (and it does not matter). The fact is, I now had a positive connotation to attribute to the number “7”. I almost felt like I had no choice but to graduate the aversion all the way up the Hierarchy of Aversions and, without a further thought, that aversion disintegrated into thin air. Relating “7” to something bad constituted this fear as an aversion in the first place, but using that same OCD mindset I related it to whatever “good” thing happened that day and wound up eliminating the aversion.
2. I had a horrible experience relating to an aversion.
Since the Hierarchy of Aversions is a structure of varying anxiety-inducing obsessions, the very order of this model comes from relating the severity of obsessions to one another. This can actually work to the OCD sufferer’s favor, because when a less severe aversion sitting towards the top half of the Hierarchy suffices, it is much easier to quickly overcome that obsession, or at least diminish the anxiety it induces, by comparing that obsession to the more intense obsessions at the hierarchy’s base.
I actively try to avoid germs, so I do not like walking barefoot in my own home. But even more so I avoid walking barefoot in any environment outside of my home. So, in the instance that I am forced to walk across my floor barefoot because I forgot socks or shoes I get anxious, but then I remind myself that it could be worse- I could be walking across the floor of some filthy public setting. And even though the alleviation of that anxiety is temporary, it is still alleviation. And yes, I am still averted to walking on the floor barefoot, but in pair with exposure this comparison of “it could be worse” nudges that aversion up higher on the hierarchy where it is not nearly as bad as it once seemed.

These two methods I have used to graduate aversions from firm obsessions to fleeting memories involve controlling the OCD with OCD. There is no getting rid of this disease for me, just manipulating it to my advantage so that certain obsessions and fears seem less scary and become more prone to evaporating.

– Valerie Parente (6-26-16)